I didn’t consciously choose a type of ghost story for the
Halloween season this year, but Diane Setterfield’s The Thirteenth Tale haunted me through the last few weeks of
October, and now that I’m about a week out of it, it continues to haunt me still.
In true Brontë style, The Thirteenth Tale is not a story of
the external ghosts that haunt buildings or graveyards. Rather, it tells of the
internal ghosts that haunt us all. Sometimes it’s hard to tell the two apart. Jane Eyre, a recurring theme in the book,
is referenced often and I have the urge to listen to it again so the mood this
book has put me in doesn’t escape me. Setterfield manages to create a landscape
for her book that is on the one hand bleak and on the other splashed with colours
of passion and madness. There is A LOT of madness in this book.
The story is told from the point
of view of a biographer, Margaret Lea, who has been commanded to listen to and
record the story of a famous and reclusive writer, Vida Winter, who is dying.
In the process, Lea uncovers the truth about Winters’ past, and at the same
time acknowledges her own tragic story.
“All children mythologize their birth…”
is how the story begins and through the pages we encounter a string of
characters who not only mythologize their births, but grip the story of their
births to point where they are almost unable to see anything else.
Setterfield has done a masterful
job of maintaining the voices of these two women who are reliving their pasts
while the present is crashing down around them. It’s hard to believe how well
she captured the feel of Jane Eyre
while telling a completely new story. The twists and turns of the plot were
natural, and yet always unexpected. I found myself driving to work saying
things like, “But what about…..”, or “Ah, so that’s it….,” out loud. I’m glad
nobody was watching.
At first I thought it was a bit
distracting having two readers, one for Margaret (Bianca Amato) and one for
Vida (Jill Tanner). The two voices at first don’t have the same kind of
contrast I’d come to expect from audiobooks that utilize multiple readers. As
the story progressed, however, I saw how subtly and skillfully each embraced her
part. By the end I couldn’t imagine only one reader bringing justice to the
book.
I haven’t heard either Amato or
Tanner read before and both were exquisite. It would be interesting to hear
both of them read a book that was more upbeat – I wonder what that would sound
like.
I listened to this on CD and it
was well worth the irritation I felt changing discs all the time. There is a
blank track at the end of each disc which I’m assuming was there to indicate
that it was time to change discs. I haven’t encountered that before. It’s less
irritating than a strange voice telling me what to do.
Apparently there is also an abridged version of this book on audio. I don't do abridgements (EVER!) so I can't really comment on it. It has different readers as well.
Apparently there is also an abridged version of this book on audio. I don't do abridgements (EVER!) so I can't really comment on it. It has different readers as well.
Here's a link to the Audible page where you can listen to a sample of the book.
Listen Up!
The Thirteenth Tale, (15 hrs, 38 mins), Simon and Schuster Audio, 2006